Ben Uri Research Unit

for the study and digital recording of the Jewish, Refugee and wide Immigrant contribution to British visual culture since 1900.


Charles de Belle artist

Charles de Belle was born in Budapest, Austria-Hungary (now Hungary) in 1873. Showing his artistic talent from an early age, he was sent to study art in Paris with the Hungarian painter Mihàly Munkàcsy from 1889–92. A grant from the Royal Academy of Arts in London enabled him to study there in 1893. He subsequently contributed illustrations to the <em>Irish Times</em>, <em>Illustrated London News<em>, and <em>Lady’s Pictorial</em>, among others, and held a solo exhibition in London in 1913, before immigrating to Canada where he remained for the rest of his life.

Born: 1873 Budapest, Austria-Hungary (now Hungary)

Died: 1939 Montreal, Canada

Year of Migration to the UK: 1893

Other name/s: Charles Ernest de Belle, Charles De Belle, Charles Debelle


Biography

Painter, draughtsman and illustrator Charles de Belle was born to a French father and a Hungarian mother in Budapest, Austria-Hungary (now Hungary) on 17 May 1873. De Belle showed his artistic talent from an early age and his family was very supportive of his ambitions, sending him to study art in Paris with the Hungarian painter Mihàly Munkàcsy from 1889–92. A grant from the Royal Academy of Arts in London enabled him to study there in 1893. After meeting Sir John Abbott, owner of the Irish Times, he worked as an illustrator for the newspaper in Dublin, where he married an Irish girl. He soon returned to England, living in London until 1912 where he contributed illustrations to the Illustrated London News, the Lady’s Pictorial and for publishers Blackie & Son and William Collins Sons & Co, establishing his own studio on Fitzroy Street in Fitzrovia.

Known for his pastel creations, de Belle developed his own unique method of fixation, mounting his pictures between two pieces of glass. In 1900 his portrait of Mr James Carlyle was included in the Royal Hibernian Academy exhibition in Edinburgh. The Irish Times noted that the work was ‘well executed and a good likeness’ and that the drapery was ‘handled carefully and with success’ (Irish Times 1900, p. 4). In 1913 a solo exhibition of his pastels was held at the Carrol Gallery on George Street, London. The following year his work was featured in the International Society of Sculptors, Painters and Gravers’ exhibition at the Grosvenor Gallery (1914).

Possibly given his partial French heritage, de Belle later immigrated to Montreal, Canada, where his works, especially his pleasing pastels, were appreciated by wealthy clients. De Belle became best known for his portraits, landscapes (in particular, winter scenes), and children's portraits. His achievements resulted in the election as an associate of the Royal Canadian Academy of the Arts in 1919. De Belle was a frequent contributor to the annual Spring Exhibition of the Art Association of Montreal from 1913 until 1936. His health began to fail later in life and when he could no longer control his hands as firmly as before – a prerequisite for pastel work ¬– he turned to oils. Despite the infirmities of old age, he had a successful exhibition in the T. Eaton Co. Gallery in Toronto in 1934. Charles de Belle died in Montreal, Canada in 1939. Nine years later, a monograph entitled Charles de Belle, Peintre-Poète [Charles de Belle, Painter-Poet] was published. His work is not currently represented in any UK public collections.

Related books

  • Albert Laberge, Charles de Belle. Peintre-poète (Montréal: Edition privée, 1949)

Related organisations

  • International Society of Sculptors, Painters and Gravers (exhibitor)
  • Royal Academy of Arts (grant recipient)
  • Royal Canadian Academy of the Arts (associate)
  • Royal Hibernian Academy (exhibitor)

Related web links

Selected exhibitions

  • International Society of Sculptors, Painters and Gravers, Spring Exhibition, Grosvenor Gallery, London (1914)
  • Pastels by Charles Belle, Carrol Gallery, London (1913)
  • Royal Hibernian Academy, Dublin (1900)