Ben Uri Research Unit

for the study and digital recording of the Jewish, Refugee and wide Immigrant contribution to British visual culture since 1900.


Güler Ates artist

Güler Ates was born in Muş, Eastern Turkey in 1977 and studied at the University of Marmara. Moving to London around 2001, after initial art studies at Wimbledon School of Art, she graduated from the Royal College of Art with an MA in Printmaking in 2008, then becoming a digital print tutor at the Royal Academy Schools, and a visiting tutor at a number of UK art institutions. Establishing an international exhibition career, her work which encompasses video, photography, printmaking, and performance, continues to explore contemporary experiences of identity, diaspora and cultural displacement.

Born: 1977 Muş, Turkey

Year of Migration to the UK: 2001


Biography

Artist Güler Ates was born in Muş, Eastern Turkey in 1977, and immigrated to Britain in around 2001. She graduated from the Royal College of Art (RCA) in London in 2008 with an MA in Printmaking before being appointed a digital print tutor at the Royal Academy Schools. She has also held visiting lecturer posts at Sheffield Hallam University and the University of Hertfordshire, among other institutions.

Ates' multidisciplinary work encompasses video, photography, printmaking, and performance through which she explores contemporary experiences of identity, diaspora and cultural displacement. In her photographic series, the concept of the veil plays a pivotal role: using only natural light, she places fully veiled female figures in different contexts, including a 16th-century English university library, the Victoria & Albert Museum, London, and the City Palace Museum in Udaipur in India. These continually changing contexts represent and examine the definition of the exotic that merges Eastern and Western sensualities. The veil is a garment as much as a concept, a metaphor, a mystery, expressing what is invisible, silent or holy. It forms part of a poetic language revealing and concealing the body. In the artist's own words, 'The figures in these works inhabit the places in a ghostly manner. The allusion is both to invisibility and visibility' (Times of India). By working with Islamic motifs and patterns overlaid on the fabric worn by these veiled women, Ates combined elements from Middle Eastern exoticism from her own heritage with those representing Victorian propriety. She explained: ‘In my art, I deal with the journey that I took from Istanbul to London, exploring female identity and displacement, which also is autobiographical’ (Varsha Naik 2012).

Ates has exhibited frequently at the Summer Exhibition at the Royal Academy of Arts, as well as in many solo exhibitions in the UK and internationally from 2010 onwards. Her work has been featured in numerous groups shows including New Contemporaries Archive Films, ICA (2010), 2Q13: Women Collectors, Women Artists, Lloyds Club, London (2013), Journey at the Jewish Museum, London (2015), Unexpected: Continuing Narratives of Identity and Migration, Ben Uri Gallery and Museum, London (2016) and Migrations: Masterworks from the Ben Uri Collection at Gloucester Museum (2019). Ates has also completed residencies in India (2012 and 2009), Rio de Janeiro (2013–2014), Istanbul (2014) and at Eton College, Berkshire (2015, which led to a solo exhibition in 2018), and the London District of the Methodist Church (2019). Güler Ates continues to live and work in London. Her work can be found in UK public collections including the Ben Uri Collection, the Government Art Collection, the Royal Academy of Art and the V&A, as well as in MAR in Rio de Janeiro, among others.

Related books

  • Cecilia Mandrile and Claudia DeMonte eds., The World is a Handkerchief (New York, 2019)
  • Aaron Rosen, Brushes With Faith: Reflection and Conversations on Contemporary Art (Cascade Books, 2019)
  • Rachel Dickson and Sarah MacDougall eds., Out of Chaos: Ben Uri-100 Years in London (London: Ben Uri Gallery, 2015)
  • Aaron Rosen, Art & Religion in the 21st Century (New York/London: Thames and Hudson, 2015)
  • Varsha Naik, A Journey Across Borders: Exploring the Idea of the Veil and Combining Elements of the Middle East and Victorian Era, Guler Ates' Photographs are Titled After Rumi's Poetry', 'Daily News & Analysis', 3 December 2012

Public collections

Related organisations

  • Lewisham College (student)
  • Royal Academy Schools (teacher)
  • Royal College of Art (student, visiting lecturer)
  • Sheffield Hallam University (visiting lecturer) (visiting lecturer)
  • University of Hertfordshire (visiting lecturer)
  • University of Marmara (student)
  • Wimbledon School of Art (student)

Related web links

Selected exhibitions

  • Migrations: Masterworks from the Ben Uri Collection at Gloucester Museum (2019)
  • I’m staying, L’étrangére, London (2019)
  • Fragments, Eton College (2018)
  • Highlights and New Acquisitions, Ben Uri Gallery (2018)
  • The Summer Exhibition, Royal Academy of Arts (2018, 2017, 2015, 2014)
  • Unexpected: Continuing Narratives of Identity and Migration, Ben Uri Gallery (2016)
  • Sea of Colour, Salvation Army International HQ (2016)
  • Out of Chaos: Ben Uri 100 Years in London, Ben Uri at Somerset House, London (2015)
  • Unseen Memories, House of St Barnabas (2015)
  • Journey, Jewish Museum (2015)
  • Dwelling: Rio de Janeiro, Marcelle Joseph Projects, London (2014)
  • Forward, The Drawing Schools Gallery, Eton College (2013)
  • Güler Ates: Books of Dust’, Gallery Cafe, Royal Academy of Arts (2013)
  • 2Q13: Women Collectors, Women Artists, Lloyds Club, London (2013)
  • Present and Absent, Great Fosters, Egham (2011)
  • Photography’s New ‘It’ Girls, Marcelle Joseph Projects, London (2011)
  • Draw Together, Jeannie Avent Gallery (Associated with Dulwich Picture Gallery), London (2011)
  • No past is mine, no future, look at me!, Leighton House Museum (2010)
  • New Contemporaries Archive Films, ICA (2010)
  • Indian Summer, Hastings Museum and Gallery (2009)
  • Secrets, Gulbenkian Gallery, RCA, London (2006)
  • The Vision of the Nunnery, The Nunnery Gallery (2006)
  • Projects, Christ Church Spitalfields, London (2005)