Ben Uri Research Unit

for the study and digital recording of the Jewish, Refugee and wide Immigrant contribution to British visual culture since 1900.


Michael Kauffmann art historian

Michael Kauffmann was born into a Jewish family in Frankfurt, Germany on 5 February 1931. Fleeing Nazi persecution, Kauffmann and his family moved to England in 1938 where he studied History of Art at the Warburg Institute, University of London and subsequently held posts at Manchester City Art Gallery and the Victoria and Albert Museum. From 1985-95 he was the Director of the Courtauld Institute of Art and Professor of History of Art, University of London.

Born: 1931 Hamburg, Germany

Died: 2023 London, England

Year of Migration to the UK: 1938

Other name/s: C. Michael Kauffmann, Claus Michael Kauffmann, Professor Michael Kauffmann FBA


Biography

Professor Michael Kauffmann was born into a Jewish family in Frankfurt, Germany on 5 February 1931. His father, Arthur Kauffmann, was an art dealer and managing director of the Frankfurt branch of Germany’s foremost auction house, Hugo Helbing. In order to escape Nazi persecution, in September 1938, with the assistance of London art dealer, Spink and Son, Arthur Kauffmann and his family moved to England and settled initially in Burnley, Lancashire and then in London: first, in Lexham Gardens in South Kensington; then, at the suggestion of their friend Robert Frank (uncle of diarist Anne Frank), in St James's Street in the West End; and, finally, in April 1939, at Grafton Street in Mayfair.

Michael Kauffmann was educated at Merton College, Oxford (1950–53) and after graduation he took up a Junior Research Fellowship at the Warburg Institute, University of London, completing his PhD in the History of Art in 1957. He worked as an assistant at the Warburg Institute Photographic Collection (1957–58) and subsequently held posts at Manchester City Art Gallery as an assistant keeper (1958–60) and in the Prints and Drawings Department at the Victoria and Albert Museum, first as an assistant keeper and then as keeper (1960–85), during which time he curated the catalogue of foreign paintings in two volumes (1975). His many publications included The Baths of Pozzuoli: a Study of the Medieval Illuminations of Peter of Eboli's Poem (1959, published in Oxford by émigré publisher, Bruno Cassirer); The Barbizon School (1965); Catalogue of Paintings in the Wellington Museum (1982); John Varley, 1778-1842 (1984); and Biblical Imagery in Medieval England, 700-1550 (2003). More recently, he published Eve’s Apple to the Last Supper: Picturing Food in the Bible (2017). From 1985 until 1995 he was the Director of the Courtauld Institute of Art and Professor of History of Art, University of London. Kauffman was elected a Fellow of the British Academy (FBA) in 1987 and has been member of various committees and boards, including the Art Fund (previously the NACF, 1987–2005). In summer 2018 Kauffmann lectured on the contribution of refugee dealers to the art market in England for newly founded The International Art Market Studies Association (TIAMSA), focusing in particular on his father’s colleagues Grete Ring, Alfred Scharf, Franz Drey, Herbert Bier and Robert Frank. The following year he reprised the subject in Germany as part of the Hugo Helbing Lecture: Exploring the Art Market in Munich.

Following his retirement from teaching, Kauffmann remained Professor Emeritus of the History of Art, University of London. He was also elected an Honorary Fellow of the Warburg Institute. Michael Kauffmann died in London, England on 30 June 2023.


Related books

  • C. Michael Kauffmann, Eve's Apple to the Last Supper: Picturing Food in the Bible (Woodbridge: The Boydell Press, 2017)
  • Anne Rudloff Stanton, 'Reviewed Work: Biblical Imagery in Medieval England, 700-1550 by C. M. Kauffmann', Speculum, Vol. 80, No. 3, July 2005, pp. 909-911
  • Kristine Haney, 'Biblical Imagery in Medieval England, 700—1550 by C. M. Kauffmann', Studies in Iconography, Vol. 26, 2005, pp. 251-254
  • C. Michael Kauffmann, Biblical Imagery in Medieval England, 700-1550 (London: Harvey Miller, 2003)
  • C. Michael Kauffmann, John Varley, 1778-1842 (London : B.T. Batsford in association with Victoria & Albert Museum, 1984)
  • C. Michael Kauffmann, Susan Jenkins and Marjorie E. Wieseman, Catalogue of Paintings in the Wellington Museum, Apsley House (London: H.M.S.O., 1982)
  • C. Michael Kauffmann, Romanesque Manuscripts, 1066-1190 (London: Harvey Miller, 1975)
  • C. Michael Kauffmann, English Illuminated Manuscripts 700-1500 (Bruxelles: Bibliothèque Royale Albert, 1973)
  • C. Michael Kauffmann, Catalogue of Foreign Paintings in the Victoria and Albert Museum (London: Victoria and Albert Museum, 1973)
  • C. Michael Kauffmann, The Bury Bible (London: Warburg and Courtauld Institute, 1966)
  • C. Michael Kauffmann, The Barbizon School (London: H.M. Stationery Office, 1965)
  • Loren C. MacKinney, 'Reviewed Work: The Baths of Pozzuoli: A Study of the Medieval Illuminations of Peter of Eboli's Poem by K. M. Kauffmann', Speculum, Vol. 35, No. 2, April 1960, pp. 303-306
  • C. Michael Kauffmann, The Baths of Pozzuoli; a Study of the Medieval Illuminations of Peter of Eboli's Poem (Oxford: Bruno Cassirer, 1959)

Related organisations

  • British Academy (fellow)
  • Courtauld Institute of Art (Director, Professor of the History of Art, Emeritus Professor)
  • Manchester City Art Gallery (assistant keeper)
  • The Institute of Art market Studies (TIAMSA) (lecturer)
  • Victoria and Albert Museum, London (Keeper, Department of Prints and Drawings)
  • Warburg Institute (lecturer, Honorary Fellow)

Related web links