Akos Zsótér was born in Budapest, Austro-Hungarian Empire (now Hungary) on 5 September 1895. He was educated in Berlin and St. Petersburg (Petrodgrad) and served in the Hungarian Army. After extensive travels through Europe, Zsótér settled in London in 1937 where he establsihed himself as a potrait painter.
Painter Akos Zsótér was born on 5 September 1895 in Budapest, Austro-Hungarian Empire (now Hungary). He pursued his ambition to become a renowned painter by enrolling at the Charlottenburg Art School in Berlin aged 17, where he studied under Alfred Kampf (Hitler's favourite painter). Zsótér remained there until the outbreak of the First World War, during which he served as an officer in the Hungarian Army. He was captured in 1916 while fighting on the Russian Front and was interned as a prisoner of war in Siberia (first in Irkutsk and later, Petrograd (formerly St Petersburg). Upon his release, he attended the Imperial Academy of Arts in Petrograd before returning to Budapest in 1922.
In the mid-1920s, Zsótér left Hungary and travelled through Europe, living in Germany, Holland, and Paris, before arriving in London in 1937, where he remained until his death. During his travels, he befriended important artists such as the Jewish émigré Chaim Soutine and the French fauvist, Maurice de Vlaminck. In the UK, Zsótér established himself as a portrait painter and maintained a studio in west London.
Zsótér's painting style exhibits a command of portraiture, at times classical and realist, while his textured brushstrokes and vibrant yet subdued colours can be linked to Post-Impressionism and the expressive brushwork and attention to the subtleties of human emotion are reminiscent of Expressionism. His still lifes and urban landscapes are particularly expressive, even at times suggesting the rich palette of Fauvism. Two notable sitters were actress Merle Oberon, who sat for him in the early 1940s, and Cardinal Arthur Hinsley. Kenneth Clark, head of the War Artists’ Advisory Committee and Director of the National Gallery during the Second World War, was Zsótér's close friend and client. Despite Clark’s support, Zsótér's applications to the War Artists’ Advisory Committee were denied three times in 1941. Zsótér regularly exhibited with the Society of Portrait Painters and was an active member of the Chelsea Art Society, where he was made Vice President.
Zsótér exhibited consistently throughout his life. He exhibited with fellow Hungarian sculptor, émigré Frank Kovacs, holding a joint exhibition in 1938 at the White Gallery in London. Zsótér was also part of group exhibitions such as those mounted by the United Society of Artists and he showed with the London Group during their fourth wartime exhibition in 1942. He also showed at the annual summer exhibition at the Royal Academy of Arts (RA), London. A journalist reviewing his solo exhibition later at the Pentad Gallery in Kensington in 1972 praised his technique and his use of vibrant colours and broad strokes (Kensington News and West London Times, p. 192). In 1983, his work was included in Hommage à la Terre Natale, an exhibition of Hungarian-born artists living abroad.
Akos Zsótér died in London, England in 1983 at the age of 88. Several posthumous exhibitions ensued, including a two-person show, Charlotte Mensforth and Akos Zsótér held at the Medici Galleries, London in the year of his death (1983). Akos Zsótér's works are not currently held in UK public collections. In 2009, at a Christie’s auction in South Kensington, his son Ivan bid on and purchased Reflected Beauty, a 1949 oil portrait by his father of his mother, Klara, in a deep purple gown. This portrait held particular significance to Ivan as it captured the memory of his late mother, who died in 1989. Akos Zsótér's work can also be found in the private collection of family friend and Worcestershire-based artist, Malcolm Victory.
Consult items in the Ben Uri archive related to [Akos Zsótér]
Publications related to [Akos Zsótér] in the Ben Uri Library