John Lyons was born in Port of Spain, Trinidad and Tobago in 1933. He arrived in England to study at Goldsmiths College (1959–64) and the University of Newcastle (1965). Lyons taught as an art specialist for 27 years in secondary, further and higher education, all the time continuing with his writing and painting. He produced paintings inspired by Caribbean folklore, legends and mythology, a major recurring theme being the Carnival of his native Trinidad and Tobago. He was also involved with a number of art organisations for the promotion of the visual arts in England, including the Hourglass Studio Gallery, which he co-founded with playwright and arts activist, Jean Rees, in 1998.
Artist, poet, writer, curator and educator, John Lyons was born in Port of Spain, Trinidad and Tobago in 1933. After his mother died, he lived with his three siblings and his grandmother in Tobago from the age of nine, returning to Trinidad to live with his father and stepmother in 1948. Although he successfully passed the Senior Cambridge exam, Lyons had to give up further study to lessen the financial burden on his family. He subsequently passed the Civil Service entrance examination and worked for five years in the Civil Service, during which time he continued with his passion for writing and painting.
He arrived in England to study at Goldsmiths College from 1959 to 1964 and then at the University of Newcastle in 1965. In 1967 he moved to Manchester, during which time, with Alnoor Mitha and Lin Tang, he set up Studio Zamana. In 1969 he showed alongside artists including Scottie Wilson and Polish illustrator, Józef Wilkoń, at the Peterloo Gallery, the Guardian praising his ‘cool, sensitive feel for space’ (Bates 1969, p. 6). Lyons worked in secondary schools for nine years, before becoming an Art and Design lecturer in South Trafford College in 1976, where he remained until 1993. Overall, Lyons taught as an art specialist for 27 years in secondary, further and higher education, all the time continuing with his writing and painting. Lyons’ first full collection of poems, Lure of the Cascadura, was published in 1989 by Bogle L’Ouverture Publications (for which he also designed book covers), receiving a major Arts Council award. Lyons also produced paintings inspired by Caribbean folklore, legends and mythology, a major recurring theme being the Carnival of his native Trinidad and Tobago. As Mitha noted, Lyons’ work was characterised by the use of a ‘loaded painted brush and gestures of intuited spontaneity’ (Unmasking the Psyche). Lyons later said about his artistic practice that ‘Mindful of the quintessentially abstract nature of the process of picture making, I enter into a playful dialogue with the work in which line, shape, texture and vibrant colour are brought together […] I sometimes surrender to the promptings of intuition. The work is figurative but not illustrational and is always an adventure of discovery’ (Williams Art).
After he retired as a college lecturer, Lyons was able to devote himself not only to writing and painting, but also to his involvement with a number of art organisations for the promotion of the visual arts in England. In 1987–89 he was a member of the purchasing panel for the Arts Council’s National Collection and in 1993 he was the community artist in residence for the Tate Gallery Liverpool, tasked with building connections between the community of Toxteth and the Tate Gallery. In 1998 co-founded, with playwright and arts activist, Jean Rees, the Hourglass Studio Gallery and its charity-funded arm, HEADS, with the aim of promoting the visual arts and creative writing in the community in Hebden Bridge, West Yorkshire. Lyons remained on the Board of Trustees until 2009, when it lost its Art Council funding in the general cuts.
Lyons has held more than a dozen solo shows and participated in numerous group exhibitions, including No Colour Bar: Black British Art in Action 1960–1990 at the Guildhall Art Gallery, which focused on the radical lives of Guyanese activists Eric and Jessica Huntley and the publishing company they founded, Bogle-L'Ouverture. More recently, he was included in the critically acclaimed exhibition Life Between Islands: Caribbean - British Art 1950s – Now at Tate Britain (2021–22). Lyons has written a number of texts on the practice of visual artists, including the entry on Tony Phillips for the Four x 4 catalogue, an exhibition on installations curated by Eddie Chambers (1991). Alongside his practice as a painter and printmaker, Lyons is a prize winning poet with seven published collections. His illustrated Cook-up in a Trini Kitchen (2009) contained Trinidadian recipes and poems. His Dancing in the Rain: Poems for Young Children (2015) was shortlisted by the Centre for Literacy in Primary Education (CLPE) for the CLiPPA Award 2016. In 2003, Lyons received the Arts Council sponsored Windrush Arts Achiever Award. In 2022, alongside first-generation Caribbean diaspora painters Errol Lloyd and Paul Dash, he organised the exhibition Paint Like the Swallow Sings Calypso Cambridge at Kettle’s Yard, Cambridge. The show explored the complex historical and cultural significance of carnival, mixing the artists’ own depictions of modern carnival with examples of the carnivalesque from Cambridge’s Fitzwilliam Museum collection and Kettle’s Yard, by artists including David Bomberg, Barbara Hepworth, Goya and Picasso. John Lyons lives and works in Littleport, Cambridgeshire, England. His work is represented in UK collections including Kirklees Museum and Gallery, Victoria and Albert Museum and Arts Council Collection.