Ben Uri Research Unit

for the study and digital recording of the Jewish, Refugee and wide Immigrant contribution to British visual culture since 1900.


Käthe Strenitz artist

Käthe Strenitz was born into a Jewish family in Gablonz (Jablonec nad Nisou), Bohemia, Czechoslovakia (now Czech Republic) in 1923 and studied at the Officina Pragensis school in Prague. In 1939 she travelled on a Quaker-sponsored Kindertransport to England. She later completed her art education at the Regent Street Polytechnic and made the industrial landscapes of London, in particular the King's Cross area, the subject of much of her work.

Born: 1923 Gablonz (Jablonec nad Nisou), Czechoslovakia (now Czech Republic)

Died: 2017 London, England

Year of Migration to the UK: 1939

Other name/s: Kathe Strenitz, Käthe Fischel, Käthe Fischel-Strenitz, Kathe Fischel-Strenitz, Katerina Fischel, Kateřina Strenitzová


Biography

Artist Käthe Strenitz was born into a Jewish family in Gablonz (Jablonec nad Nisou) in the Bohemia region of Czechoslovakia (now Czech Republic) on 12 April 1923. After her family moved to Prague in 1938, she attended the Officina Pragensis, a school for printmaking, book illustration and poster design, under the instruction of painter and printmaker Hugo Steiner. Aged 16, in 1939, Strenitz travelled as a refugee to England on a Quaker-sponsored Kindertransport organised by the humanitarian Nicholas Winton, as one of the 669 ‘Winton children’, leaving her family behind in Nazi occupied Czechoslovakia.

Once in England, Strenitz had difficult experiences on a farm in Hampshire, with insufficient food and suffering bouts of illness. She then worked briefly at the David Eder Farm in Kent which trained young people to work on 'kibbutzim' in Palestine, before being sent to an Orthodox Jewish girls’ hostel in Stamford Hill, Hackney, north east London. She later found work washing milk bottles on a farm. Meanwhile, unbeknown to Strenitz, some of her drawings were sent via a friend to Austrian émigré artist Oskar Kokoschka, and on Kokoschka’s recommendation Strenitz was awarded a British Council scholarship at Regent Street Polytechnic in 1942. Finding herself dissatisfied with the teaching, however, she decided to leave the Polytechnic and commit to war work making air force goggles. She moved into Canterbury Hall, a hostel maintained by the Czech Refugee Trust Fund, where she met Otto Fischel, a Czechoslovak Jewish journalist-turned-entrepreneur. They married in 1943 and their daughter was born in 1950. Strenitz later returned to Regent Street Polytechnic where she shared a studio with painter and engraver David Smith and studied wood engraving; for decades she used a huge press to make woodcuts of her drawings. When her husband opened a plastics factory, Otaco Ltd, on Market Road, north of King's Cross Station, it became a base for Strenitz, who made the interior of the factory and the surrounding industrial landscape the main subjects of her drawings, woodcuts and engravings. Documenting King's Cross, St Pancras and the surrounding cityscape along Regent's Canal - railways, bridges, tunnels, streets, warehouses, docks and waterways - her work provides an important artistic record of the area. Strenitz traced her interest in the industrial landscape to the visual impression made on her when first arriving in east London as a refugee at Liverpool Street Station.

Strenitz favoured pencil, ink and wash, or charcoal for her drawings, but also painted in oils and watercolour, and found most success commercially with her woodcuts. In 1972 she was elected a Fellow of the Royal Society of Painter-Printmakers and received the Lord Mayor's Award for woodcuts in 1973. She exhibited at numerous London venues, including Bankside Gallery and Boundary Gallery. She also continued to align with her Jewish heritage, showing with Ben Uri regularly from the late 1940s into the 1970s in its annual open exhibitions and presenting a solo show with the gallery in 1961. In 1998 her work featured in Ben Uri's exhibition Czech Artists from the Collection.

Käthe Strenitz died in London, England, on 29 August 2017. Her work is held in UK collections including the Ben Uri Collection, Guildhall Art Gallery and the London Metropolitan Archives. Posthumously her work featured in Migrations: Masterworks from the Ben Uri Collection presented at the Museum of Gloucester in conjunction with GARAS (Gloucestershire Action for Refugees and Asylum Seekers).

Related books

  • Nicola Baird (ed.), Czech Routes to Britain (London: Ben Uri Research Unit, 2019)
  • Peter Darley, The King's Cross Story: 200 Years of History in the Railway Lands (Cheltenham: The History Press, 2018)
  • Obituary, 'The Times', 30 November, 2017
  • Walter Schwab and Julia Weiner, eds., Jewish Artists: The Ben Uri Collection (London: Ben Uri Art Society in association with Lund Humphries, 1994)
  • 'Views from Points and Ports', Jewish Chronicle, 21 September 1990, p. 15
  • 'Six Jewish Artists', Jewish Chronicle, 10 March 1961, p. 43

Public collections

Related organisations

  • British Council (scholarship recipient)
  • Czech Refugee Trust Fund (beneficiary)
  • Regent Street Polytechnic (student)
  • Royal Society of Painter-Printmakers (fellow) (fellow)

Related web links

Selected exhibitions

  • Migrations: Masterworks from the Ben Uri Collection, The Museum of Gloucester (2019)
  • Czech Routes to Britain, Ben Uri (2019)
  • Czech Jewish Artists from the Collection, Ben Uri Gallery (1998)
  • Boundary Gallery, London, with David Smith (1990)
  • Prints and Drawings from the Permanent Collection, Ben Uri (1989)
  • Shaw Theatre Gallery, London (1978)
  • Phoenix Gallery, Lavenham, Suffolk (1977)
  • Ben Uri Annual Exhibition (1973, 1972, 1970, 1969, 1964, 1958, 1957, 1954, 1950)
  • Housewives' Art- 6th National Exhibition presented by The People, Ben Uri (1962)
  • Kathe Strenitz Paintings, Ben Uri Gallery (1961)
  • Opening exhibition, Berners Street, Ben Uri (1961)
  • Tercentenary Exhibition of Contemporary Anglo-Jewish Artists, Ben Uri (1956)
  • Autumn Exhibition of Paintings, Sculptures and Drawings by Contemporary Jewish Artists, Ben Uri (1945)