Ben Uri Research Unit

for the study and digital recording of the Jewish, Refugee and wide Immigrant contribution to British visual culture since 1900.


Steve McQueen artist

Sir Steve McQueen was born to immigrant parents (a Grenadian mother and a Trinidadian father) in London, England in 1969 and, following his training in art and design, made his first films in the early 1990s. By 1999 he had won the Turner Prize and in 2006 was appointed an Official War Artist, while his most celebrated film to date, '12 Years A Slave' (2013) won several awards, including a BAFTA for Best Film. His work as an video artist is held in numerous UK public collections, including the British Council, Tate and The Whitworth Art Gallery, Manchester; McQueen was knighted in the 2020 New Years Honours for services to film.

Born: 1969 London, England

Other name/s: Sir Steve McQueen


Biography

Director, filmmaker and video artist, Steve McQueen was born in 1969 in London, England to a Grenadian mother and a Trinidadian father, who had immigrated to England in the 1960s. He grew up on the White City Estate, west London and attended Drayton Manor High School and Ealing, Hammersmith and West London College before studying art and design at Chelsea College of Arts (1987-90). He subsequently enrolled on a Fine Art course at Goldsmiths College, where he made his first films. Graduating in 1993, he made the black and white film, Bear, dealing with violence, homoeroticism and race, themes that continue to influence McQueen's work. In 1997 he made Deadpan, a restaging of a Buster Keaton stunt. His first colour film was Drumroll (1998), subsequently projected onto the walls of an enclosed gallery space to create a more intimate viewing experience.


In 1999 McQueen won the prestigious Turner Prize and was commended for his ability to ‘take a simple incident or image and evoke complex emotions and ideas from them’ (Steve McQueen profile page, Goldsmiths website). In 2006 he was appointed an Official War Artist and in 2007 completed Queen and Country, which commemorated the deaths of British soldiers who lost their lives in the Iraq War. In 2008 he directed his first feature-length film, Hunger, starring Michael Fassbender. Based on the 1981 hunger strike by Irish Republican prisoners in HM Prison Maze, Hunger premiered at the Cannes Film Festival where McQueen became the first British director to win the Caméra d'Or. It also won 'Best Film' at the London Evening Standard Film Awards in 2009, the year McQueen was chosen to represent Great Britain at the 53rd Venice Biennale. In 2011 he co-wrote and directed his second major feature film, Shame. Set in New York and starring Michael Fassbender as a sex addict, Shame premiered at the Venice Film Festival. McQueen’s subsequent and most celebrated film to date, 12 Years A Slave (2013), based on the 1853 autobiography of Solomon Northup, the story of a free man who was forced into slavery, was described by The New Yorker as ‘easily the greatest film ever made about American slavery’ (David Denby, Fighting to Survive, The New Yorker, 13 October 2013). It won several awards, including an Oscar for Best Picture (2014), the first film with a black director to achieve this distinction, as well as a BAFTA for Best Film and a Golden Globe for Best Motion Picture. In 2018 McQueen directed Widows, a heist thriller loosely based on a limited series from the 1980s, which follows four Chicago women who attempt to steal $5,000,000 from a prominent local politician in order to pay back a crime boss. McQueen has also worked on producing a film about London’s tragic Grenfell Tower fire, which killed 72 people in June 2017. McQueen, who self-funded the project, will show it to the public in London free of charge, before donating it to a museum. The film is based on footage he gathered from a helicopter in December 2017 before scaffolding was erected around the building. He has also co-written and directed Small Axe, an anthology of five films, shown on BBC and Amazon (2020) exploring the nature of mid twentieth century Caribbean-British experience. Taking its title from a proverb-turned 1970s Bob Marley song, Small Axe features Mangrove, the story of a restaurant owner who became an unlikely leader when his business was the target of police harassment in the late 1960s; Red, White, and Blue which follows Leroy Logan, a research scientist who became a Black officer in London’s Metropolitan Police; and Alex Wheatle which chronicles the eponymous novelist who was imprisoned as a teenager following the Brixton uprising in 1981. McQueen dedicated the series to George Floyd ‘and all the other Black people that have been murdered, seen or unseen, because of who they are’ (Steve McQueen quoted in Alison Herman, Steve McQueen’s ‘Small Axe’ Collapses the Personal and Political, The Ringer, 23 November 2020).


Large-scale surveys of McQueen's work have been held at the Whitworth Gallery, Manchester (2017), Tate Modern, London (2020) and Turner Contemporary, Margate (2021). Recent solo presentations have included Steve McQueen: Year 3, Tate Britain (2019-2021) which documented the entire cohort of Year 3 school children in the capital, one of the most ambitious visual documentations of citizenship ever undertaken in Britain. In 2022 a solo exhibition entitled Running Thunder will be presented at Wolverhampton Art Gallery. McQueen has also received numerous honours, including an OBE in 2002, a CBE in 2011 and a knighthood (Knight Commander of the Most Excellent Order of the British Empire) in 2020 for services to film. Sir Steve McQueen lives and works between London, England and Amsterdam, The Netherlands. His work is held in numerous UK public collections, including the British Council, Tate and The Whitworth, among others.

Related books

  • Friedrich Meschede ed., Steve McQueen: Barrage (Verlag der Buchhandlung Walther König, 2020)
  • Clara Kim and Fiontán Moran eds., Steve McQueen (London: Tate Publishing, 2020)
  • J. Kastner, M. Pasquinelli, and Ralph Rugoff, eds., Among the Trees (London: Hayward Publishing, 2020) pp. 130-131
  • E. Balsom, L. Raynolds, and Sarah Perks, eds., Artists' Moving Image in Britain Since 1989 (London: Yale Books, 2019) pp. 89-107, 169-185, 395-398
  • Celeste-Marie Bernier, Stick to the skin: African American and Black British art, 1965-2015 (Oakland CA: University of California Press, 2018) p. 203
  • Adrienne Edwards, ed., Blackness in Abstraction (New York: Pace Gallery, 2016)
  • Adriana Martins, Alexandra Lopes and Mónica Dias eds., Mediations of Disruption in Post-Conflict Cinema (London: Palgrave Macmillan, 2016) pp. 145-156
  • Paul Hegarty, Rumour and Radiation: Sound in Video Art (London: Bloomsbury Academic, 2015) pp. 135-144
  • Steve McQueen (Espace Culturel Louis Vuitton, 2014)
  • I Want the Screen to be a Massive Mirror: Lectures on Steve McQueen (Laurenz Foundation, Schaulager, 2013)
  • Steve McQueen: Works (Laurenz Foundation, Schaulager, 2012)
  • Derek Walcott ed., Steve McQueen, Queen and Country (London: British Council Visual Arts Publications, 2010)
  • Steve McQueen: Giardini Notebook (London: British Council Visual Arts Publications, 2009)
  • Steve McQueen (Gateshead: Baltic Centre of Contemporary Art, 2008)
  • South London Gallery 9: Steve McQueen: Once Upon a Time (London: South London Gallery, 2004)
  • Doris Krystof ed., Steve McQueen (Kunsthalle Wien, 2001)
  • Michael Newman ed., Steve McQueen (London: ICA, 1999)

Public collections

Related organisations

  • Amazon (writer and director)
  • BFI (Fellow)
  • Chelsea College of Arts (student)
  • Drayton Manor High School (student)
  • Ealing, Hammersmith and West London College (student)
  • Goldsmiths College (student)
  • ICA (Futures Award winner)
  • Imperial War Museum (Official War Artist)
  • The Turner Prize (award winner)

Related web links

Selected exhibitions

  • Running Thunder, Wolverhampton Art Gallery (2022)
  • Ashes, Turner Contemporary (2021)
  • Steve McQueen, Tate Modern (2020)
  • Among the Trees, Hayward Gallery (2020)
  • Year 3, Tate Britain (2019)
  • Steve Mcqueen: Ashes, Whitworth Gallery (2017)
  • Coming Out: Sexuality, Gender and Identity, Walker Art Gallery (2017)
  • As Above, So Below: Portals, Visions, Spirits & Mystics. IMMA (2017)
  • INSIDE. Artists and Writers in Reading Prison (2016)
  • Animality, Marian Goodman (2016)
  • Fighting History, Tate Britain (2015)
  • Encounters and Collision, Nottingham Contemporary (2015)
  • Ashes, Thomas Dane Gallery (2014)
  • Migrations – Journeys into British Art, Tate Britain (2012)
  • Queen and Country: A Project by Steve McQueen, National Portrait Gallery (2010), Venice Biennale (2009), Middlesbrough Institute of Modern Art (2009), St. Georges Hall, Liverpool Biennial (2008), Manchester Central Library (2007)
  • Running Thunder, Thomas Dane Gallery (2007)
  • Steve McQueen, South London Gallery (2004)
  • Faces in the Crowd, Picturing Modern Life from Manet to Today, Whitechapel Gallery (2004)
  • Into This World, Thomas Dane (2004)
  • Tate Egg Live, Tate Britain (2003)
  • Steve McQueen: Caribs’ Leap/Western Deep, ArtAngel at Lumiere (2002)
  • Cold Breath, Delfina Projects (2000)
  • Turner Prize Exhibition (1999)
  • Infra-slim spaces, Birmingham Museum of Art (1999)
  • Retrace your Steps: Remember Tomorrow, Sir John Soane’s Museum (1999)
  • Steve McQueen, Institute of Contemporary Art (1999)
  • Royal College of Art (1993)