Walter Nessler was born in Leipzig, Germany in 1912 and immigrated to England in 1937 due to his strong anti-Nazi positioning. Considered an 'enemy alien', Nessler was interned at Huyton Camp outside Liverpool in 1940, where he sketched daily scenes and notable fellow internees. After the war, he exhibited widely in England across a range of media; often technically experimental, he featured in the <em>London Artists from Germany</em> show at the German Embassy in 1978 and held a number of solo shows at John Denham Gallery (1984–97).
Painter, graphic artist and sculptor, Walter Nessler was born in Leipzig, Germany on 19 January 1912. He moved with his mother and aunt to Dresden at the age of six. After studying at the Technical Art College, he worked as a commercial artist and window dresser, studying painting at the Castelli Italian Art School from 1933–35 and for a short period in Paris. Although he was not Jewish, he greatly opposed the Nazi regime.
After his work was denounced as 'degenerate', Nessler immigrated to London in the summer of 1937 with his English wife, Prudence Ashbee. Before leaving Germany, he had produced Das Hitler ABC (The Hitler ABC), in which each letter ridiculed a different character trait of the Führer, and which Prudence smuggled out in her luggage. As Horst Nessler, he exhibited a work in the First Group Exhibition of German, Austrian and Czechoslovakian Painters and Sculptors, held at the Wertheim Gallery, London, in summer 1939 and sponsored by the Free German League of Culture (FGLC), a politically-orientated organisation offering cultural support to German speaking refugees. Following mass internment in spring 1940, like many other exiled artists, Nessler was interned at Huyton Camp outside Liverpool, where he sketched daily scenes, and drew notable fellow internees, such as the dancer Kurt Jooss and the art dealer Erich Cassirer. The same year, he enlisted in the Pioneer Corps of the British army, serving in France after the 1944 D-Day invasion, while continuing to sketch places and people. His fellow exile and lifelong friend, the designer Harry Rossney, later recalled how Nessler encouraged him, other comrades and the local French, through his painting classes. After the war, Nessler divorced his first wife, marrying Erica Ulman in 1953, with whom he moved into a studio home in West Hampstead. In the 1950s he gave painting lessons at London's Woodcraft Institute and studied sculpture with Elizabeth Frink at St Martin’s School of Art in 1959. His later career focused particularly on new materials, such as polyester resin. Nessler was also a friend of Fred and Diana Uhlman, who hosted him in their Hampstead home, which acted as the headquarters of the FGLC, founded in 1939.
Nessler exhibited regularly in exile. His varied artistic practice ranged from prescient, bombed wartime cityscapes to exuberant postwar paintings inspired by his passion for jazz. He was greatly influenced by Matisse, and by his acquaintance with artists such as Picasso, Giacometti and Cocteau, whom he met in Paris during the late 1940s and 1950s. Latterly, his work featured in the London Artists from Germany show (German Embassy, 1978) and he held several solo shows at John Denham Gallery (1984–97). A retrospective organised by John Denham in 1990 coincided with renewed interest in his work in Germany. Nessler was made an honorary fellow of the Dresden Academy and held solo shows in Berlin, Düsseldorf, and Dresden. A catalogue of his major works was published by Ralf Hartweg. The life and work of Nessler was captured in the film documentary ‘Places and Dreams’ (1991) by Juergen Ast and Thomas Grimm. Walter Nessler died in London on 18 December 2001. His work was included in the important survey exhibition Kunst im Exil in Großbritannien 1933–1945 (Art in Exile in Great Britain), held in West Berlin in 1986, which then toured to the Camden Art Centre, London, in reduced form. In 2004 his sketches of Huyton Camp were displayed, alongside those of fellow internee artist, Hugo Dachinger, in the exhibition Art Behind Barbed Wire at the Walker Art Gallery, Liverpool. Most recently, a retrospective exhibition was held at Pallant House Gallery, Chichester, in 2019. His works are held in the collections of Pallant House Gallery, Chichester; the Walker Art Gallery, Liverpool; the Royal Air Force Museum, Hendon, and the Usher Gallery, Lincoln.
Consult items in the Ben Uri archive related to [Walter Nessler]
Publications related to [Walter Nessler] in the Ben Uri Library